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  • Left at the Ruin

Left at the Ruin

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These poems, these words, they are quiet fires every one. Palpable feeling comes out of these lines, rendering an intimacy melancholy but celebratory too in their constant acts of self-discovery. These poems are in immediate conversation with the reader, speaking—never shouting—their startling news of the everyday uncovered, or recovered, in stunning moments of feeling: “the sheer joy of being a body, / keeping it up all night.” The poems live true to their insights, traversing some imaginary line: “Give desire a boundary / and it sails across.” Those words speak for the book, but they come with a quiet kind of sadness as well: “All of my ages swarm / against the mismatch of time.” We may know that sensibility ourselves intellectually, but in these poems we are made to truly feel it.

     —Alberto Rios, Not Go Away Is My Name

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  • Home
  • About
  • Awards
  • Contact
  • Forthcoming
    • Michael Hettich
    • Peter E. Murphy
    • Clare Banks
  • Our Titles
    • Redux Series
    • Poetry Books >
      • NEW—Kiyoko Reidy
      • NEW—Jin Cordaro
      • NEW—Annette Sisson
      • NEW—Timothy Geiger
      • NEW—Jacqueline Berger
      • NEW—Hayden Saunier
      • NEW—J.L. Conrad
      • Tom C. Hunley
      • Heather Swan
      • Saba Husain
      • Helena Mesa
      • Kathy Nelson
      • Andrea Hollander
      • The Animals of My Earth School, by Mildred Barya
      • Flatback Sally Country, by Rachel Custer
      • This Strange Garment, by Nicole Callihan
      • Paradise Is Jagged, by Ann Fisher-Wirth
      • The Mayapple Forest, by Kim Ports Parsons
      • Leave Me a Little Want, by Beverly Burch
      • Notes from the Column of Memory, by Wendy Drexler
      • The Night Divers, by Melanie McCabe
      • light waves, by Kirsten Shu-ying Chen
      • Horse Not Zebra, by Eric Nelson
      • Design, by Theresa Burns
      • House Bird, by Robb Fillman
      • Years Beyond the River, by David Axelrod
      • The Poet & The Architect, by Christine Stewart-Nunez
      • Wind Apples, by Jeff Ewing
      • The Feast Delayed, by Diane LeBlanc
      • These Few Seeds, by Meghan Sterling
      • The Curator's Notes, by Robin Rosen Chang
      • A Cartography of Home, by Hayden Saunier
      • Tell Me How You Got Here, by Emily Franklin
      • Self-Portrait with a Million Dollars, by Patricia Clark
      • Ghost Dogs, by Dion O'Reilly
      • A Kinship with Ash, by Heather Swan
      • Kissing the Long Face of the Greyhound, by Yvonne Zipter
      • Somatic, by Ann Keniston
      • The Honey of Earth, by David Graham
      • Sugar Fix, by Kory Wells
      • The Davids Inside David, by Sarah Wetzel
      • The Bones of Winter Birds, by Ann Fisher-Wirth
      • Strange What Rises, by Gary Whitehead
      • Suspension, by Paige Riehl
      • The Northway, by Lisa Bellamy
      • The Infinite Doctrine of Water, by Michael T. Young
      • Aileron, by Geraldine Connolly
      • No Such Thing As Distance, by Karen Paul Holmes
      • Leaves Surface Like Skin, by Michelle Menting
      • How to Wear This Body, by Hayden Saunier
      • Travel Notes from the River Styx, by Susanna Lang
      • Route 66 and Its Sorrows, by Carolyn Miller
      • Bluewords Greening, by Christine Stewart-Nunez
      • The Canopy, by Patricia Clark
      • Cutting Room, by Jessica de Koninck
      • The Persistence of Longing, by Lynne Knight
      • Confessions of a Captured Angel, by Neil Carpathios
    • Craft Books >
      • The Strategic Poet
      • The Practicing Poet: Writing Beyond the Basics
      • The Crafty Poet II: A Portable Workshop
      • The Crafty Poet: A Portable Workshop
    • Anthologies >
      • What the House Knows
      • A Constellation of Kisses
      • The Book of Donuts, edited by Jason Lee Brown and Shanie Latham
      • The Doll Collection
  • Submissions
    • Guidelines manuscript submission
    • FAQs
  • Titles for Review
  • Poetry Salon
  • Store
    • Poetry Books
    • Craft Books
    • Anthologies