Ghost Dogs, by Dion O'Reilly
Congratulations to Dion whose poem Scavenged was read by Ada Limon on The Slowdown on June 28, 2022.
Congratulations to Dion whose book Ghost Dogs was a finalist for the Grand Prize and an honorable mention in the Poetry category for the 2021 Eric Hoffer Award
Congratulations to Dion whose book Ghost Dogs has been selected as the First Place Winner for the 2021 Independent Press Award.
Congratulations to Dion for the feature of her poem Afterlife on Verse Daily on August 30, 2020.
Congratulations to Dion whose poem Gorge was featured on Poetry Daily on March 17, 2020. The poem first appeared in New Letters and now appears in Ghost Dogs.
Congratulations to Dion whose book Ghost Dogs was a finalist for the Grand Prize and an honorable mention in the Poetry category for the 2021 Eric Hoffer Award
Congratulations to Dion whose book Ghost Dogs has been selected as the First Place Winner for the 2021 Independent Press Award.
Congratulations to Dion for the feature of her poem Afterlife on Verse Daily on August 30, 2020.
Congratulations to Dion whose poem Gorge was featured on Poetry Daily on March 17, 2020. The poem first appeared in New Letters and now appears in Ghost Dogs.
Praise for Ghost Dogs
Ghost Dogs, Dion O’Reilly’s fine first poetry collection, will haunt you the way art should. Bristling with pain, wit, desire, and tenderness, these poems investigate not only “the daily harms” of an abusive childhood, but the deep solace non-human animals can offer. In vivid, sensual detail, O’Reilly conjures her companions: mastiffs with “sad, sagging faces,” a beloved chestnut mare’s “glowing coat,” a green parrot who has managed to “fill a space in the chaos.” She doesn’t sugarcoat or flinch from suffering—her own or others’—she transforms it. Line by crackling line, image by unforgettable image. Contemplating her bruised knees in the poem “Given,” she asks, “Is there a way to make it wonderful?” Ghost Dogs provides us an answer, a resounding yes. —Ellen Bass
Ghost Dogs, Dion O’Reilly’s fine first poetry collection, will haunt you the way art should. Bristling with pain, wit, desire, and tenderness, these poems investigate not only “the daily harms” of an abusive childhood, but the deep solace non-human animals can offer. In vivid, sensual detail, O’Reilly conjures her companions: mastiffs with “sad, sagging faces,” a beloved chestnut mare’s “glowing coat,” a green parrot who has managed to “fill a space in the chaos.” She doesn’t sugarcoat or flinch from suffering—her own or others’—she transforms it. Line by crackling line, image by unforgettable image. Contemplating her bruised knees in the poem “Given,” she asks, “Is there a way to make it wonderful?” Ghost Dogs provides us an answer, a resounding yes. —Ellen Bass
Dion O’Reilly has lived most of her life on a small farm in the Santa Cruz Mountains of California. Her writing appears in such journals as The Massachusetts Review, New Letters, Sugar House Review, Rattle, and Bellingham Review. Her work has also appeared in a number of anthologies, including the Terrapin Books anthology A Constellation of Kisses. Her work has been nominated several times for a Pushcart Prize. An earlier version of Ghost Dogs was a finalist for the Catamaran Poetry Book Prize. She received her MFA from Pacific University. Ghost Dogs is her debut full-length collection.
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